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Unique Notes: 11 - 15
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Jamie Holdham
Beethoven - Symphony No.6. Mvt 2. {Professional production full score.} Unfinished.
Jamie Holdham
1:18 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
Corni
in
B		 Treble 4 3 0 4 100%
2-Solo
Violoncelli con
Sord.		 Bass 11 0 0 2 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
Corni
in
B		 Treble 4 3 0 4 100%
2-Solo
Violoncelli con
Sord.		 Bass 11 0 0 2 100%
Viola 9 0 0 2 100%
Violino
I		 Treble 15 0 2 6 100%
Violino
II		 Treble 8 0 0 2 100%
Violoncello e
Contrabasso		 Bass 6 0 0 2 100%
2
Clarinetti
in
B		 Treble 12 1 0 6 80%
2
Oboi		 Treble 9 5 0 3 71%
2
Fagotti		 Bass 10 1 0 5 68%
2
Flauti		 Treble 6 7 0 1 62%
 
Buxtehude - Trio Sonata No.4 in B. {Professional production full score.} Unfinished.
Jamie Holdham
1:10 Est. Play
Time
220 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 10 0 2 100%
Bass 13 5 0 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 10 0 2 100%
Bass 13 5 0 2 100%
Cembalo. Bass 12 0 0 2 100%
Violino. Treble 19 0 3 6 79%
Viola
da
gamba.		 17 0 4 6 42%
 
Beethoven - Symphony No.9. Mvt.3. {Performance + Full Score.} [Unfinished.]
Jamie Holdham
2:14 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 11 3 1 4 100%
Violino
II		 Treble 10 4 0 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 11 3 1 4 100%
Violino
II		 Treble 10 4 0 4 100%
Violoncello Bass 11 0 2 5 100%
Violino
I		 Treble 14 0 1 5 89%
2
Fagotti		 Bass 13 10 0 4 61%
2
Klarinetti
in
B		 Treble 13 12 1 3 57%
I.
II
in
B 4
Corni III.
IV
in
Es		 Treble 8 9 0 4 48%
Horn
in
E♭		 Treble 5 0 0 5 47%
Contrabasso Bass 1 0 0 1 5%
Timpani Bass 2 0 1 2 5%
 
Wagner - Huldigungsmarsch. {Professional production full score.} Unfinished.
Jamie Holdham
0:58 Est. Play
Time
119 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
CLARINETTEN in
B.		 Treble 17 2 5 6 96%
2
OBOEN.		 Treble 15 1 5 6 96%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
CLARINETTEN in
B.		 Treble 17 2 5 6 96%
2
OBOEN.		 Treble 15 1 5 6 96%
2
VENTILHORNER in
Es.		 Treble 13 2 3 4 91%
2
VENTILHORNER in
F.		 Treble 16 2 5 6 91%
BRATSCHEN. 16 3 3 6 77%
Violoncelle. Bass 20 0 2 6 68%
2
grosse
Floten.		 Treble 14 2 3 5 61%
2
FAGOTTE.		 Bass 20 10 6 4 57%
BASSCLARINETTE in
B.		 Bass 14 0 3 4 55%
Contrabasse. Bass 12 0 1 3 55%
Zweite
Violinen.		 Treble 14 3 3 8 55%
Erste
Violinen.		 Treble 19 2 4 7 45%
1te
u:
2te VENTILTROMPETE in
F.		 Treble 4 2 0 2 27%
2
TENORPOSAUNEN.		 4 2 0 2 27%
3te VENTILTROMPETE. Treble 1 0 0 2 27%
BASSPOSAUNE. Bass 1 0 0 2 27%
Tuba. Bass 2 0 0 2 27%
 
Bach - Missa in F Major, Gloria. {Professional production full score.} Unfinished.
Jamie Holdham
1:07 Est. Play
Time
89 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo. Bass 13 0 1 3 100%
Violino
I.		 Treble 16 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo. Bass 13 0 1 3 100%
Violino
I.		 Treble 16 0 2 4 100%
Violino
II.		 Treble 15 0 1 4 100%
Viola. 16 0 2 3 97%
Oboe
I.		 Treble 15 0 2 5 77%
Oboe
II.		 Treble 12 0 1 5 77%
Corno
I.		 Treble 10 0 0 4 63%
Corno
II.		 Treble 9 0 0 4 57%
Basso. Bass 13 0 1 3 47%
Tenore. 13 0 2 3 43%
Alto. 11 0 1 2 27%
Soprano. 12 0 1 2 23%
 
Buxtehude - Var.XXVIII: La Capricciosa. {Professional production full score.}
Jamie Holdham
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 14 0 0 3 100%
Bass 13 1 1 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 14 0 0 3 100%
Bass 13 1 1 2 100%
 
Buxtehude - Var.XVII: La Capricciosa. {Professional production score.}
Jamie Holdham
0:38 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 0 0 3 100%
Bass 15 0 0 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 0 0 3 100%
Bass 15 0 0 2 50%
 
Buxtehude - Trio Sonata No.6 in D. {Professional production full score.} Unfinished.
Jamie Holdham
0:34 Est. Play
Time
195 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 8 1 3 100%
Bass 13 3 3 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 8 1 3 100%
Bass 13 3 3 2 100%
Cembalo. Bass 13 0 3 2 100%
Viola
da
gamba.		 5 0 1 5 100%
Violino. Treble 5 0 0 5 100%
 
Buxtehude - Ciaconna in B flat Major. {From Trio-Sonaten No.4.}
Jamie Holdham
4:05 Est. Play
Time
113 Measures
1,452Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 20 0 5 100%
Bass 13 7 0 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 20 0 5 100%
Bass 13 7 0 2 100%
Cembalo. Bass 12 0 0 2 100%
Violino. Treble 24 0 4 8 91%
Viola
da
gamba.		 25 0 4 9 74%
 
Gustav Holst - Venus. {Professional production full score.}
Jamie Holdham
2:45 Est. Play
Time
145 Measures
1,166Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I
II		 Treble 19 23 5 5 58%
Treble 12 9 5 6 67%
View all 23 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I
II		 Treble 19 23 5 5 58%
Treble 12 9 5 6 67%
III
IV		 Treble 17 15 5 5 61%
Treble 10 3 3 4 40%
3
OBOES		 Treble 19 15 6 5 53%
1st
Violins		 Treble 14 0 2 7 53%
3
CLARINETS
in
B♭		 Treble 22 26 10 6 52%
2nd
Violins		 Treble 9 0 2 7 43%
Harp
I		 Treble 15 19 2 1 30%
Bass 3 1 0 1 17%
English
Horn		 Treble 2 0 1 4 30%
Violoncellos Bass 13 0 2 4 30%
DOUBLEBASSES Bass 7 0 0 4 23%
Harp
II		 Treble 13 14 2 1 22%
Bass 9 7 2 1 19%
3
BASSOONS		 Bass 5 2 0 2 20%
Bass
Clarinet
in
B♭		 Treble 7 0 1 4 17%
V
VI		 Treble 2 1 0 1 9%
Celesta Treble 4 0 0 1 4%
Bass 4 3 1 1 4%
DOUBLE
BASSOON		 Bass 1 0 0 2 4%
Glockenspiel Treble 4 0 0 2 4%
Violas 8 0 1 2 4%